You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as 'catalogs' and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we're very excited to be able to share the wonderful gems within.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as 'catalogs' and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we're very excited to be able to share the wonderful gems within.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a well preserved original plate from Johann Georg Heck's “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck's “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as 'catalogs' and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we're very excited to be able to share the wonderful gems within.
The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as 'catalogs' and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we're very excited to be able to share the wonderful gems within.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a well preserved original plate from Johann Georg Heck's “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as 'catalogs' and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we're very excited to be able to share the wonderful gems within.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
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While a lot of the library is available for free, some is kept behind closed dusty doors only to be accessed by our lovely members.