You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a crazy high quality scan of a beautifully preserved engraved steel plate print from the rare “New, Comprehensive, and Complete History of England” book by Edward Barnard, published in 1783. The delicate, informative, and detailed illustrations found inside encapsulated, in fascinating detail, moments of English History from the Roman era, right up to the Victorian.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
You’re looking at a beautifully handcoloured illustration from the rare ‘Moeurs, Usages Et Costumes de tous les Peuples Du Monde’ by Auguste Wahlen. Published by Librairie Historique-Artistique in 1843-44 (currently selling for ~£450-500). Our series was ex-library from Huddersfield Technical College Library, as evidenced by the library stamp on the vast majority of the images we have available.
You’re looking at a beautifully handcoloured illustration from the rare ‘Moeurs, Usages Et Costumes de tous les Peuples Du Monde’ by Auguste Wahlen. Published by Librairie Historique-Artistique in 1843-44 (currently selling for ~£450-500). Our series was ex-library from Huddersfield Technical College Library, as evidenced by the library stamp on the vast majority of the images we have available.
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
This beautiful botanical artwork was discovered within the most comprehensive world wide guide to ferns by renowned botanist; Edward Joseph Lowe (1825-1900). Born in Nottinghamshire, published on grasses and ferns and was also an authority on atmospheric phenomena. The first edition was published 1856-60 and serves as a monument to the Victorian passion for ferns illustrated by over 500 colour plates.
This beautiful botanical artwork was discovered within the most comprehensive world wide guide to ferns by renowned botanist; Edward Joseph Lowe (1825-1900). Born in Nottinghamshire, published on grasses and ferns and was also an authority on atmospheric phenomena. The first edition was published 1856-60 and serves as a monument to the Victorian passion for ferns illustrated by over 500 colour plates.
This beautiful botanical artwork was discovered within the most comprehensive world wide guide to ferns by renowned botanist; Edward Joseph Lowe (1825-1900). Born in Nottinghamshire, published on grasses and ferns and was also an authority on atmospheric phenomena. The first edition was published 1856-60 and serves as a monument to the Victorian passion for ferns illustrated by over 500 colour plates.
This beautiful botanical artwork was discovered within the most comprehensive world wide guide to ferns by renowned botanist; Edward Joseph Lowe (1825-1900). Born in Nottinghamshire, published on grasses and ferns and was also an authority on atmospheric phenomena. The first edition was published 1856-60 and serves as a monument to the Victorian passion for ferns illustrated by over 500 colour plates.
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While a lot of the library is available for free, some is kept behind closed dusty doors only to be accessed by our lovely members.