The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as ‘catalogs’ and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we’re very excited to be able to share the wonderful gems within.
The type foundry and print shop of old would create books, like the one this image was discovered within, to help customers and clients with their design choices. Naturally, these books were jam packed with useful illustrative elements that could be combined to create a final piece. Today, these books are extremely difficult to get a hold of. Especially those that were published in the late 1800s. They were not mainstream publications, they simply served as ‘catalogs’ and thus were only produced in small numbers. Fortunately, we were introduced to a collector who had precisely what we had been searching for for so long. After some costly negotiations, we’re very excited to be able to share the wonderful gems within.
This stunning 19th-century graphic pattern sample was discovered within the ‘Internationaler Graphischer Muster-Austausch des deutschen Buchdrucker-Vereins’ which translates to ‘International graphic pattern exchange of the German book printer association’. Inside was a plethora of gorgeous examples of typography, layout design, printing techniques, and more. A fine display of some of the very best from the print industry of the time and a fantastic source for the modern creator and enthusiast.
The demand for beautifully designed printed material spiked during the latter part of the 19th century and with new technical possibilities, demands became more elaborate. To keep up with the times, the best printing companies in Europe and the United States exchanged their finest creations in an attempt to push the industry to new heights. The technologies that would make a faithful reproduction of originals in print possible were still not invented, or deficient. Therefore, professional stakeholders had to exchange their original works among themselves.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds.
Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
You’re looking at a well preserved original plate from Johann Georg Heck’s “Iconographic Encyclopedia of Sciences, Literature and Art” published in 1851 by Rudolphe Garrigue in New York. We were extremely fortunate to acquire the full collection of illustrative prints from the series, which after many months of looking, proved to be very difficult!
Here we have a wonderful chromolithograph print from Heinrich Dolmetsch’s “Der Ornamentenschatz – Ein Musterbuch stilvoller Ornamente aus allen Kunstepochen”. Published by Stuttgart, Hoffmann. A celebrated collection of ornamental/decorative designs and artwork inspired by various geographical regions and movements of the 16th / 17th and 18th century.
You’re looking at a scarce, 229 year old, steel plate engraving from the original “The New Encyclopaedia Or Modern Universal Dictionary Of Arts And Sciences On A New And Improved Plan” by Hall, William Henry, Bedford Row, London, published by C Cooke, London.
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
Here we have an original vintage print from the Auguste Racinet L’ornement Polycrome (1870) series. One of the finest collections of decorative arts from the 19th century, refered to for inspiration by many modern creators. Many interesting and useful design elements are waiting to be explored in this one piece! The purpose of the fantastic reproductions in L’Ornement polychrome were to inspire an improvement of the decorative arts of its time.
Here we have an original vintage print from the Auguste Racinet L’ornement Polycrome (1870) series. One of the finest collections of decorative arts from the 19th century, refered to for inspiration by many modern creators. Many interesting and useful design elements are waiting to be explored in this one piece! The purpose of the fantastic reproductions in L’Ornement polychrome were to inspire an improvement of the decorative arts of its time.
Here we have an original vintage print from the Auguste Racinet L’ornement Polycrome (1870) series. One of the finest collections of decorative arts from the 19th century, refered to for inspiration by many modern creators. Many interesting and useful design elements are waiting to be explored in this one piece! The purpose of the fantastic reproductions in L’Ornement polychrome were to inspire an improvement of the decorative arts of its time.
Here we have an original vintage print from the Auguste Racinet L’ornement Polycrome (1870) series. One of the finest collections of decorative arts from the 19th century, refered to for inspiration by many modern creators. Many interesting and useful design elements are waiting to be explored in this one piece! The purpose of the fantastic reproductions in L’Ornement polychrome were to inspire an improvement of the decorative arts of its time.
You’re looking at a beautiful piece of Japanese woodblock art from our collection of original 1881 prints by noted artist, Kono Bairei; Created for one of his best-known publications ‘one hundred birds’. Most of the bird species throughout this collection were native to Japan, with a few domesticated and some imported cage birds. Bairei was born and lived in Kyoto. He was apprenticed to the Maruyama printer Nakajima Raiso at the age of eight. He was a pupil of Shijo artist Shiokawa Bunrin and followed the Nanga school tradition. He established the Kyoto Prefectural School of Painting before opening his own studio to students and retiring from teaching.
Our supporters and members help us continue collecting and restoring these wonderful pieces of art for the modern creator
While a lot of the library is available for free, some is kept behind closed dusty doors only to be accessed by our lovely members.