A detailed vintage engraving of a buffalo, isolated on a transparent background. Ideal for educational content or creative projects.
A detailed historic map showcasing the western part of New York, highlighting counties, cities, and geographical features, including insets of major urban areas like Buffalo and Rochester.
A detailed vintage engraving of an Indian buffalo bust, showcasing wide and sharp horns. This transparent PNG illustration captures the intricate textures and distinct features of the buffalo, ideal for graphic design and digital projects.
A close-up illustration of a Cape buffalo's head, highlighting its distinctive horns and muscular build. The etching captures the intensity and power of this iconic African mammal in a classic black and white style.
A vintage illustration of a short-horned buffalo standing in a field, capturing its sturdy build and distinctive short horns. This transparent PNG is ideal for wildlife and agricultural-themed projects.
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at an Original pre-1820's Antique Engraving from a rare copy of Abraham Rees' "The Cyclopaedia; or, UNIVERSAL DICTIONARY OF ARTS, SCIENCES, and LITERATURE" (Published 1820 by Longman, Hurst, Rees, Orme)
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a scarce, 229 year old, steel plate engraving from the original "The New Encyclopaedia Or Modern Universal Dictionary Of Arts And Sciences On A New And Improved Plan" by Hall, William Henry, Bedford Row, London, published by C Cooke, London.
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
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