This stunning 19th-century graphic pattern sample was discovered within the ‘Internationaler Graphischer Muster-Austausch des deutschen Buchdrucker-Vereins’ which translates to ‘International graphic pattern exchange of the German book printer association’. Inside was a plethora of gorgeous examples of typography, layout design, printing techniques, and more. A fine display of some of the very best from the print industry of the time and a fantastic source for the modern creator and enthusiast.
The demand for beautifully designed printed material spiked during the latter part of the 19th century and with new technical possibilities, demands became more elaborate. To keep up with the times, the best printing companies in Europe and the United States exchanged their finest creations in an attempt to push the industry to new heights. The technologies that would make a faithful reproduction of originals in print possible were still not invented, or deficient. Therefore, professional stakeholders had to exchange their original works among themselves.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
Here we have a scarce, 190 year old, Heraldic image sourced from the ‘Encyclopaedica Heraldica Complete Dictionary of Heraldry’ by William Berry published in 1829. The original series covered a wide array of Knighthood Stars, Badges, and Crosses, along with many examples of Charges, Military Achievements, Arms of Subscribers and more. All are available via our store; Simply click on the Authors’ name below to see the full selection.
You’re looking at a beautifully handcoloured illustration from the rare ‘Moeurs, Usages Et Costumes de tous les Peuples Du Monde’ by Auguste Wahlen. Published by Librairie Historique-Artistique in 1843-44 (currently selling for ~£450-500). Our series was ex-library from Huddersfield Technical College Library, as evidenced by the library stamp on the vast majority of the images we have available.
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a beautifully detailed engraved illustration from the ‘Picturesque America’ series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant.
The “Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists” series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status.
Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You’re looking at a scarce, 229 year old, steel plate engraving from the original “The New Encyclopaedia Or Modern Universal Dictionary Of Arts And Sciences On A New And Improved Plan” by Hall, William Henry, Bedford Row, London, published by C Cooke, London.
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
An original Antique Plate scan from the National Encyclopaedia: A Dictionary of Universal Knowledge. Published by William Mackenzie in 1880. Click on the Artist’s name to see the full collection from this series!
This beautiful botanical artwork was discovered within the most comprehensive world wide guide to ferns by renowned botanist; Edward Joseph Lowe (1825-1900). Born in Nottinghamshire, published on grasses and ferns and was also an authority on atmospheric phenomena. The first edition was published 1856-60 and serves as a monument to the Victorian passion for ferns illustrated by over 500 colour plates.
This beautiful botanical artwork was discovered within the most comprehensive world wide guide to ferns by renowned botanist; Edward Joseph Lowe (1825-1900). Born in Nottinghamshire, published on grasses and ferns and was also an authority on atmospheric phenomena. The first edition was published 1856-60 and serves as a monument to the Victorian passion for ferns illustrated by over 500 colour plates.
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