You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
An antique map of Colorado, showcasing major cities, counties, and detailed geographic features. The map includes railway lines, mountain ranges, and towns, providing a historical perspective on Colorado's development during the time.
This detailed antique map from the 1800s depicts Central Africa, highlighting various colonial territories, natural features, and historical locations. It showcases the intricate geography of the region during the colonial period, offering a glimpse into the past through this vintage, beautifully preserved map.
You're looking at a beautifully detailed engraved illustration from the 'Picturesque America' series. Published by D. Appleton and Company of New York in 1872 and 1874 and edited by the romantic poet and journalist William Cullen Bryant. The "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-falls, Shores, CaƱons, Valleys, Cities, and Other Picturesque Features of Our Country. With Illustrations on Steel and Wood, by Eminent American Artists" series was published and delivered as a subscription; semi-monthly parts were sent out to subscribers. Once complete, the subscription would be bound into volumes. The stately, bound two volume set was proudly displayed in parlors of subscriber homes as a show of status. Engravers included Robert Hinshelwood (1812-1885), Edward Paxman Brandard (1819-1898), Samuel Valentine Hunt (1803-1893), William Wellstood (1819-1900), William Chapin (1802-1888), Henry Bryan Hall (1808-1884).
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